Indonesia is rich in art and culture, as it were endless to tell. One of the arts of Indonesia’s most known is the art of traditional dance.
Every region in Indonesia has a traditional dance with the uniqueness of each. One of the areas in the Ground Water that is rich in the art of dance is the province of East Java. Most of the traditional dance in the province this is a dance that is inherited by previous artists, such as Tari Jaranan Buto.
Tari Jaranan Buto is the art of traditional dance, Banyuwangi, East Java. In this art there is some the story (stories) and the movement of the dance is different, so be a uniqueness in the play. The uniqueness of this art includes the core of the story, the costumes of the dancers, and the accompaniment of gamelan that is different kesenian jaranan other.
The cast of Jaranan Buto costume is dashing and cosmetology face that impressed spooky. The dancers also use horses or jaran clone as in kesenian Kuda Lumping.
Behind the uniqueness, there are several interesting facts from the art of Dance Jaranan Buto this. Here are 6 Interesting Facts Tari Jaranan Buto.
1. The meanings behind the names Jaranan Buto.
Jaranan buto can be interpreted “kuda lumping giant”. The existence of kesenian Jaranan Buto, not in spite of legendary folklore that Menak Jinggo a king of the kingdom of Blambangan. Supposedly the King Menak Jinggo big and burly like a giant or buto.
As the name implies Jaranan Buto, the art is portrayed by the dancers of high stature big and burly, wearing a costume similar buto. Dance movement also express the movements of the giant.
2. Mock horses used different bari tari jaranan other.
Mock horses used different bari tari jaranan other.
Kesenian Jaranan Buto using a horse or jaran clone as in kesenian Kuda Lumping, Jaran Kepang or Tari Jathilan. However, there is that different from a horse clone used in this dance.
Horse clone does not describe the horse as real as on the dance of other similar. Mock horses used to have the head resembles the head of a giant or buto creepy.
3. The uniqueness of the makeup and costume to wear.
The uniqueness of the makeup and costume to wear.
As in the art of dance in general, kesenian Jaranan Buto also has a unique face makeup and in costume of its own. If the note cosmetology face players Jaranan Buto looks creepy as it adapts to the character of buto. There is a picture that resembles the fangs on the face of his players.
The costumes used are also seen to resemble the costume of a giant but also looks very dashing with a bandage traditional fabric, shawl and headdress. The overall appearance of the player Jaranan Buto is very clearly describe the giant burly and creepy.
4. The musical accompaniment that is different jaranan dance in general
Dancers Jaranan Buto dance with movements befitting a giant. The movement look more interesting by following the strains of traditional music of his retinue. Musical Accompaniment used in the staging Tari Jaranan Buto has the distinction of Jaranan Dance in general.
Tari Jaranan Buto in the performance is accompanied by musical instruments such as drums, two bonang, two large gong, kempul trumpet, cymbal made of copper material and a set of gamelan.
5. Experiencing rapid growth.
Experiencing rapid growth.
Tari Jaranan Buto developed in the area of Banyuwangi Blitar, this Dance is performed at the ceremony of the wedding cortege and circumcision. The art of Dance Jaranan Buto in its development has a rapid growth which is a variation of the accompanying music and cosmetology dancers.
In fact, the costume Buto worn by the dancers experience the innovation from year to year. It shows the creativity of the artists Jaranan Buto quite dynamic.
6. There is an attraction possessed.
There is an attraction possessed.
At the peak of the show usually there is an attraction possessed the dancers Jaranan Buto. It is said that the dancers were not aware of and will pursue the people around staging tease her with the whistle.
The dancers are in a state of trance show attractions eat broken glass, fire, live chickens and still many places again displayed.
In the staging Jaranan Buto usually there is a charmer whose role is to sensitize the back of the dancers or the audience who also possessed the time of staging.
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